THE 64bit ULTRA HIGH PRECISION DIRECT
is one of the world most precise conversion algorithm
Saracon runs on Windows™ or macOS™/OSX™ platforms and comes in two variants: SARACON and SARACON-DSD. The latter obviously also supports DSD conversion in both directions, including DSD64 and DSD128 variants. SARACON is a batch processor working on source and destination files. It does not support streaming modes. Saracon is very good and very fast, but it is not freeware. I find Saracon to be the most natural-sounding SRC software I've tried. For down-sampling, the results sound more 'normal' than with some other applications. In fact, compared to my longtime favorite Mac OS converter, Saracon seemed to be more airy, open, and detailed on the high frequencies.
- There are two versions available: Saracon and Saracon DSD. As the name implies, Saracon DSD adds DSD functionality. PCM to DSD conversion is supported, as well as DSD to PCM conversion. Features: Sampling Rates (input/output): 44.1k, 48k, 88.2k, 96k, 176.4k, 192k, 352.8k, 384k, DSD (DSD input in.
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- We know that Saracon conversion back to PCM deals with this ultrasonic noise using a strong filter which essentially suppresses everything by 40kHz (hence 24/88 is good enough with Saracon). In a similar fashion, the default 24kHz low-pass filter with JRiver does a good job keeping ultrasonic noise down.
In case of conversion the program automatically calculates the volume increase to 0dB and automatically saves the value of increase for the different discs and conversion types, which can be adjusted manually as well. If manual adjustment is implemented, the same value applies for all CD.
- According to default setting (always) the program automatically performs the volume increase during analysis
- Support of Multichannel area
- Enhanced options for output sample rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, 352.8 kHz and 384 kHz can be selected as well
- Support of several PCM output formats, such as AIFF, FLAC, TTA, WAV, ALAC, APE, etc.
- Support of DSD formats (DSF and DSDIFF) (only extraction not conversion)
- Selectable dithering (none, TPDF, RPDF, Noise Shaped)
Saracon Mac
- Selectable resampling engine (CoreAudio, SOXR, SSRC)
- Customizable resampling engine parameters (speed, quality, precision)
- Supported second pass IIR filtering (Bessel, Butterworth, Chebyshev I, Chebyshev II, Elliptic, Legendre, RBJ Biquad)
- Second pass IIR filter designer with graphical charts and frequency list
- Support DST compression in input (multilayer SACD) and output formats (lossless compression for DSD – only DSDIFF)
- Predefined values represent our recommended settings
- Adjustable gap handling
Saracon For Mac Os
- Batch conversion
- Individual Tracks and Whole Area (Stereo/Multichannel) conversion (PCM output) or extraction (DSD output) mode with CUE file support
Saracon For Macbook Air
In case of conversion the structure of the output files and folders can be effectively parameterized. The program comprises the most general direct, multi drive and variable precision algorithms.
Saracon For Macbook
The DS-DAC-10R contains a DSD phono equalizer that restores all of the sound that went into cutting the record, while minimizing any effect of the equalization process used to cut the original vinyl record. In addition to the standard RIAA curve, five other curves (*3) are also supported. Phono equalization can be applied as you record, or when playing back an un-equalized DSD recording made from your vinyl sources. This versatile cutting-edge technology lets you appreciate the true power of vinyl records in a way until now impossible—even on high-end audio equipment.
*2. The record lathes used in the process of producing vinyl records cut a wider groove as the frequency of the sound becomes lower; this makes it difficult for the needle to accurately trace the groove during playback, and also decreases the recording time. For this reason, the record being cut is equalized to attenuate the low-frequency range and boost the high-frequency range, and the opposite curve is applied during playback. This compensation is applied by the “phono equalizer.” Since record players have a lower output level in comparison to most audio devices, it is necessary to boost the signal, and the phono equalizer typically performs this role as well. However on the DS-DAC-10R, the amplification is handled by an analog circuit and the equalization is separately performed using digital signal processing (within AudioGate 4).
*3. RIAA is the standard recording/playback equalization curve for records defined by the Recording Industry Association of America. It became a standard in 1954, but prior to that date there was no standardization between the various record labels. Since the curve is not indicated on the records themselves, it’s not possible to know which curve was used to record a given record; however it is said that nearly all records can be covered by the RIAA curve and five other curves. Try selecting different curves in AudioGate 4 and enjoy the resulting changes in tonality.